About a year ago, when Lady Gaga's first album was released, she was seen making appearances while wearing a scarf around her head:



The Expression of Islam in Fashion and Architecture
About a year ago, when Lady Gaga's first album was released, she was seen making appearances while wearing a scarf around her head:
Posted by Modesty In Vogue at Thursday, December 31, 2009
This event is at the Red Cross Museum in Geneva, Switzerland until 24 January 2010.
Posted by Modesty In Vogue at Wednesday, December 30, 2009
Labels: Geneva, modesty, photography
"[There is] a radical difference between interior and exterior, which relfects the split between the intimate and the social life of the metropolitan being: outside, the realm of exhange, money, and masks; inside, the realm of the inalienable, the nonexchangeable, and the unspeakable."
(The Architecture of Fashion, p.210)
This is another beautiful quote that is used to describe architecture but can unquestionably be applied to fashion and modesty in Islam.
I especially enjoy the way the quote describes the "inside", "the realm of the inalienable, the nonexhangeable, and the unspeakable". I wonder what thoughts this invokes in you because for me, the inalienable, the nonexhangeable, and the unspeakable in realtion to our private lives is a beautiful thought for me. The unspeakable is not a negative thing; something which is so beautiful, one would not dare to articulate its beauty in fear that words could not do it justice.
Posted by Modesty In Vogue at Tuesday, December 29, 2009
Labels: architecture, fashion, hijab, modesty
"a cauldron of sexuality behind apparently innocent surfaces"
(The Architecture of Fashion p.198)
Personally, when I read this quote, I automatically thought of the designs of many courtyards in the United Arab Emirates. The exterior facades or "innocent surfaces" hide and protect the beautifully decorated interior designs.
The arabesque designs and flowing tile work can be associated with the "cauldron of sexuality" that the quote suggests.
Similarly to architecture, the concept of the hijab can also be related to this quote. A "innocent surface" of basic cloth behind the "cauldron of sexuality" which, to me, is a beautiful description of women. Describing sexuality as powerful and beautiful thing that is protected by an "innocent surface".
I also want to note that I took this quote from the book, The Architecture of Fashion, and this book does not talk about fashion and architecture of the Middle East. It focuses more on design in the West. This is important to note because I want to emphasis the fact that our concepts of sexuality, and protecting it is not unique to any part of the world. It is a shared view, different cultures have evolved to express this in different ways.
Posted by Modesty In Vogue at Monday, December 28, 2009
Labels: architecture, fashion, hijab, UAE, west
It is interesting to look at the many types of fabrics that are now available for designers to manipulate and play with in order to create interesting new designs.
Here are a few pictures of fabrics and their interesting and unique qualities they might embody. I removed any color from the photos as to avoid an emotional response to color as opposed to the more basic form of the cloth.
The reason I think this is important to this blog is due to the fact that fabric itself can express so many things and allow such a variety of manipulation. Do we really need extra ornamentation added to our clothing in order to stand out. The pure beauty of fabric should not go unnoticed. It is can be modest yet so intriguing.
The sequins connected by a thing string allows for a certain degree of transparency and layering.
The gauze-like quality gives more structure to the crinkling fabric. There is still a level of transparency allowing on to play with the different levels of light or fabrics when layered.
This fabric is obviously thick enough for pleating. The tension of the pulling on the fabric is more apparent and makes us want to see what
is causing that stress (conceptually).
The lace is so feminine and so light.
Posted by Modesty In Vogue at Sunday, December 27, 2009
Rayan, the Muslimah feminist character, feels that there is no need for a wall and that having the women sit in the back of the prayer hall is a sufficient barrier.
In the end, there is a partition wall constructed but it is smaller, with a slight screen, and women have the choice to either site behind it or sit to the side of it.
It is an interesting compromise. What do you think about the physical partition in mosques?
Posted by Modesty In Vogue at Saturday, December 26, 2009
Labels: architecture, Little Mosque on the Prairie, screen, TV