Showing posts with label abaya. Show all posts
Showing posts with label abaya. Show all posts

22 December 2009

Modernity Undefined

"the very search for a modern look is not modern. Modernity is not a look. The modern is an unconscious effect of new conditions rather than something produced by artists...to seek it is necessarily to lose it."

(The Architecture of Fashion p.187)

The most intriguing part of that quote is "the modern is an unconscious effect of new conditions" and I feel like it brings up an interesting point when we think about it in terms of the hijab and other modest clothing.

How has modest clothing in the Islamic world changed as a response to new conditions in our society? If you look past the added glitter and embroidery, the form of the hijab, abaya, and niqab has changed very little over the past hundred years despite the dramatic change that has taken place in the Middle East.

There is an interesting article about the designer Diala Kabbara who designed an abaya to address the needs of expatriots who were visiting Saudi Arabia. Here are some excerpts from the article:

"The arrival of expatriate women in the Kingdom, especially during the economic boom of the late 70s, helped transform the ‘abaya’ into a more functional garment. Most women who went out shopping in those days would tie up the long sides of their ‘abaya’ into a clumsy knot. This prevented them from tripping over the dangling flaps. Gradually, buttons and zippers appeared, enabling women to wear the abaya like a light coat. And finally touches of color began to appear on this outer wrapper which reminds us that before the plain black abaya, Saudi women’s black cloaks were embellished with gold."




You can see some of her designs here

17 December 2009

Istanbul- The Silhouette

While visiting the Blue Mosque in Istanbul, Turkey, I noticed an interesting combination of fabric and architecture. Covering one of the main doors of the mosque is a plastic tarp that is used to create a smaller doorway (as opposed to the original 7 meter tall door). The need for a smaller opening is probably to keep birds out of the prayer hall as well as to protect against rain.

The interesting aspect of this piece of fabric is the way they chose to accent the original frame of the door with a floral design.
The green color of the tarp is very prominent and makes a very distinct impression on the overall aesthetic of the mosque.






I want to show how this relates to fashion...




It is interesting to look at the color change in the abaya. The lighter cream color obviously highlights a thinner and more pronounced silhouette of the female figure. This is attractive to us because the female figure is, of course, beautiful and highlighting it with a subtle outline does not go unappreciated.
It relates to the above photo of the tarp at the blue mosque with the use of an embordered design which highlights the frame of the original door.
It is another example of how fashion and architecture is related. We can start to take elements of architecture and apply it to fashion or vice versa.
Do you think it is less modest to have these subtle outlines of a female silhouette on an abaya?

12 December 2009

The Modesty of Ornamentation

A reoccurring issue that I face when looking at abaya designs is the application of extravagant ornamentation on the outside of the abaya.

When the purpose of the abaya is to be dressed modesty, doesn't the ornamentation contradict the form of the dress?

Obviously this is not a new topic of thought but I am interested in hearing your thoughts on how much ornamentation is too much? too little? just right?













*photos taken from Hijab Style